Looking for Alaska
Experience: Confusion
Narrative Technology: I Voice
“I awoke to two sweaty, meaty hands shaking the holy hell out of me. I woke up completely and instantly, sitting up straight in bed, terrified, and I couldn’t understand the voices for some reason, couldn’t understand why there were any voices at all, and what the hell time was it anyway? And finally my head cleared enough to hear, “C’mon, kid. Don’t make us kick your ass. Just get up,” and then from the top bunk, I heard, “Christ, Pudge. Just get up.” So I got up, and saw for the first time three shadowy figures. Two of them grabbed me, one with a hand on each of my upper arms, and walked me out of the room. On the way out, the Colonel mumbled, “Have a good time. Go easy on him, Kevin.” They led me, almost at a jog, behind my dorm building, and then across the soccer field. The ground was grassy but gravelly, too, and I wondered why no one had shown the common courtesy to tell me to put on shoes, and why was I out there in my underwear, chicken legs exposed to the world? A thousand humiliations crossed my mind: There’s the new junior, Miles Halter, handcuffed to the soccer goal wearing only his boxers. I imagined them taking me into the woods, where we now seemed headed, and beating the shit out of me so that I looked great for my first day of school. And the whole time, I just stared at my feet, because I didn’t want to look at them and I didn’t want to fall, so I watched my steps, trying to avoid the bigger rocks. I felt the fight-or-flight reflex swell up in me over and over again, but I knew that neither fight nor flight had ever worked for me before. They took me a roundabout way to the fake beach, and then I knew what would happen—a good, old-fashioned dunking in the lake—and I calmed down. I could handle that. When we reached the beach, they told me to put my arms at my sides, and the beefiest guy grabbed two rolls of duct tape from the sand. With my arms flat against my sides like a soldier at attention, they mummified me from my shoulder to my wrists. Then they threw me down on the ground; the sand from the fake beach cushioned the landing, but I still hit my head. Two of them pulled my legs together while the other one—Kevin, I’d figured out—put his angular, strong-jawed face up so close to mine that the gel-soaked spikes of hair pointing out from his forehead poked at my face, and told me, “This is for the Colonel. You shouldn’t hang out with that asshole.” They taped my legs together, from ankles to thighs. I looked like a silver mummy. I said, “Please guys, don’t,” just before they taped my mouth shut. Then they picked me up and hurled me into the water.”
Contributed by: Kaitlyn O.
June 5, 2025
Starcrossed
Experience: Confusion
When she awakes one morning, Ariadne inquires about her sleep and Helen pulls back her sheets to reveal "untouched jingle bells still wrapped around her ankles...but under the bells, [her] feet were dirty, swollen, and red from what looked like weeks of walking" (Starcrossed 373)
Contributed by: Kaitlyn O.
June 5, 2025
Intermezzo
Experience: Confusion
Narrative Technology: Stream of Consciousness
"Didn’t seem fair on the young lad. That suit at the funeral. With the braces on his teeth, the supreme discomfort of the adolescent. On such occasions, one could almost come to regret one’s own social brilliance. Gives him the excuse, or gives him in any case someone at whom to look pleadingly between the mandatory handshakes. God love him. Nearly twenty-three now: Ivan the terrible. Difficult actually to believe the suit on him. Picked it up perhaps in some little damp-smelling second-hand shop for the local hospice, paid in cash, rode it home on his bicycle crumpled in a reusable plastic bag. Yes, that in fact would make sense of it, would bring into alignment the suit in its resplendent ugliness and the personality of the younger brother, ten years younger. Not without style in his own way. Certain kind of panache in his absolute disregard for the material world. Brains and beauty, an aunt said once. About them both. Or was it Ivan brains and Peter beauty. Thanks, I think. He crosses Watling Street now towards the apartment that is not an apartment, the house that is not a house, eleven or is it twelve days since the funeral, back in town. Back at work, such as it is. Or back anyway to Naomi’s place. And what will she be wearing when she answers the door. Slides his phone from his pocket into the palm of his hand as he reaches the front step, cool tactility of the screen as it lights under his fingers, typing. Outside. Evenings drawing in now and she’s back at her lectures, presumably. No reply but she sees the message, and then the predictable sequence, the so familiar and by now indirectly arousing sequence of sounds as behind the front door she comes up the old basement staircase and into the hall. Classical conditioning: how did it take so long to figure that out? Common sense. Not that. Everyday experience. The relationship of memory and feeling. The opening door."
Contributed by: Morgan
June 4, 2025
Ulysses
Experience: Confusion
Narrative Technology: Stream of Consciousness
Lots of referents missing in this passage (the reader works to sort this out) "Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, maestro di color che sanno. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it, it is a gate, if not a door. Shut your eyes and see."
Contributed by: angusif
January 9, 2025