Starcrossed
Experience: Identification
Narrative Technology: Stretch
The emotions of a fictional, fantastical character allowing a human to relate, such as Helen’s cramps when using her scion abilities in front of mortals being a metaphor for social anxiety.
Contributed by: Kaitlyn O.
June 5, 2025
The Cheat Sheet
Experience: Identification
Narrative Technology: I Voice
"Nathan is holding my hand. He's. Holding. My. Hand. Fingers intertwined, carry-my-backpack-on-the-way-to-science-level handholding. I feel a giggle bubbling in my stomach as my feet try to match his long strides into the soundstage where we are filming the commercial."
Contributed by: Sophia Sullivan
June 5, 2025
Agents of S.H.I.E.L.D.
Experience: Identification
Narrative Technology: Self-Affirmation
Seeing myself mirrored in Jemma Simmons as well as Elizabeth Henstridge Jemma is 17 when the story started and she's type A, going into the field for the first time after only being in school (the lab) after being top of her class at the academy
Contributed by: Sophia Sullivan
June 5, 2025
The Perks of Being a Wallflower
Experience: Identification
Narrative Technology: Secret Discloser
"I heard a noise in the room where we left our coats. I opened the door, and I saw Patrick kissing Brad. It was a stolen type of kissing. They heard me in the door and turned around."
Contributed by: Morgan
June 4, 2025
Intermezzo
Experience: Identification
Narrative Technology: Opportunity to Observe
When Ivan is standing in the activity center while the chess event is being set up around him; it is just being explained what is happening and how he is standing and talking and you can just tell this is an anxious dude. Nobody says that, but it’s just observable.
Contributed by: Morgan
June 4, 2025
Intermezzo
Experience: Identification
Narrative Technology: Soliloquy
"I’m happy you called, he says. Like, if I’m honest, I didn’t think you were going to. I suppose it doesn’t matter to say all this now. But after I got home again at the weekend, I started getting kind of anxious, like maybe I did something wrong, or, I don’t know. Do you ever go back over things in your head, and you’re thinking, why did I say those things, or why did I do that? I guess you probably don’t, because everything you say is interesting. But I do that all the time, going back over things. And getting kind of mad with my-self. Anyway, it doesn’t matter. I was just saying, I’m happy you called me. Because I guess, it makes me feel a bit more like, you probably don’t hate me after all."
Contributed by: Morgan
June 4, 2025
A Room of One's Own
Experience: Identification
Narrative Technology: Soliloquy
The narrator had a small idea that was growing, but she was interrupted by a barrier--a place she could not go: "Thought--to call it by a prouder name than it deserved--had let its line down into the stream. It swayed, minute after minute, hither and thither among the reflections and the weeds, letting the water lift it and sink it, until--you know the little tug--the sudden conglomeration of an idea at the end of one's line: and then the cautious hauling of it in, and the careful laying of it out? Alas, laid on the grass how small, how insignificant this thought of mine looked; the sort of fish that a good fisherman puts back into the water so that it may grow fatter and be one day worth cooking and eating. I will not trouble you with that thought now, though if you look carefully you may find it for yourselves in the course of what I am going to say. But however small it was, it had, nevertheless, the mysterious property of its kind--put back into the mind, it became at once very exciting, and important; and as it darted and sank, and flashed hither and thither, set up such a wash and tumult of ideas that it was impossible to sit still. It was thus that I found myself walking with extreme rapidity across a grass plot. Instantly a man's figure rose to intercept me. Nor did I at first understand that the gesticulations of a curious-looking object, in a cut-away coat and evening shirt, were aimed at me. His face expressed horror and indignation. Instinct rather than reason came to my help; he was a Beadle; I was a woman. This was the turf; there was the path. Only the Fellows and Scholars are allowed here; the gravel is the place for me. Such thoughts were the work of a moment. As I regained the path the arms of the Beadle sank, his face assumed its usual repose, and though turf is better walking than gravel, no very great harm was done. The only charge I could bring against the Fellows and Scholars of whatever the college might happen to be was that in protection of their turf, which has been rolled for 300 years in succession, they had sent my little fish into hiding." [...] Here the narrator has the idea to look at texts from Milton and Thackeray in the library to expand on an idea, but is blocked: "here I was actually at the door which leads into the library itself. I must have opened it, for instantly there issued, like a guardian angel barring the way with a flutter of black gown instead of white wings, a deprecating, silvery, kindly gentleman, who regretted in a low voice as he waved me back that ladies are only admitted to the library if accompanied by a Fellow of the College or furnished with a letter of introduction. That a famous library has been cursed by a woman is a matter of complete indifference to a famous library. Venerable and calm, with all its treasures safe locked within its breast, it sleeps complacently and will, so far as I am concerned, so sleep for ever. Never will I wake those echoes, never will I ask for that hospitality again, I vowed as I descended the steps in anger."
Contributed by: mi
April 16, 2025
To the Lighthouse
Experience: Identification
Narrative Technology: Stream of Consciousness
Mr. and Mrs. Ramsay in conversation, critical of each other (thinking much more than saying) and then accepting each other: "There wasn't the slightest possible chance that they could go to the Lighthouse tomorrow, Mr. Ramsay snapped out irascibly. How did he know? she asked. The wind often changed. The extraordinary irrationality of her remark, the folly of women's minds enraged him. He had ridden through the valley of death, been shattered and shivered; and now, she flew in the face of facts, made his children hope what was utterly out of the question, in effect, told lies. He stamped his foot on the stone step. "Damn you," he said. But what had she said? Simply that it might be fine tomorrow. So it might. Not with the barometer falling and the wind due west. To pursue truth with such astonishing lack of consideration for other people's feelings, to rend the thin veils of civilization so wantonly, so brutally, was to her so horrible an outrage of human decency that, without replying, dazed and blinded, she bent her head as if to let the pelt of jagged hail, the drench of dirty water, bespatter her unrebuked. There was nothing to be said. He stood by her in silence. Very humbly, at length, he said that he would step over and ask the Coastguards if she liked. There was nobody whom she reverenced as she reverenced him. She was quite ready to take his word for it, she said. Only then they need not cut sandwiches—that was all. They came to her, naturally, since she was a woman, all day long with this and that; one wanting this, another that; the children were growing up; she often felt she was nothing but a sponge sopped full of human emotions. Then he said, Damn you. He said, It must rain. He said, It won't rain; and instantly a Heaven of security opened before her. There was nobody she reverenced more. She was not good enough to tie his shoe strings, she felt. Already ashamed of that petulance, of that gesticulation of the hands when charging at the head of his troops, Mr. Ramsay rather sheepishly prodded his son's bare legs once more, and then, as if he had her leave for it, with a movement which oddly reminded his wife of the great sea lion at the Zoo tumbling backwards after swallowing his fish and walloping off so that the water in the tank washes from side to side, he dived into the evening air which, already thinner, was taking the substance from leaves and hedges but, as if in return, restoring to roses and pinks a lustre which they had not had by day. "Some one had blundered," he said again, striding off, up and down the terrace. But how extraordinarily his note had changed! It was like the cuckoo; "in June he gets out of tune"; as if he were trying over, tentatively seeking, some phrase for a new mood, and having only this at hand, used it, cracked though it was. But it sounded ridiculous—"Some one had blundered"—said like that, almost as a question, without any conviction, melodiously. Mrs. Ramsay could not help smiling, and soon, sure enough, walking up and down, he hummed it, dropped it, fell silent."
Contributed by: mi
March 11, 2025