The narrator relates the story in English, with occasional references to the fact that many characters don't know the language and worry about the impact this will have on their chances of survival. This made me very aware that this global crisis was being made intelligible for me (a person distanced from it).
Contributed by: mi
February 16, 2026
Experience: Confusion
Narrative Technology: I Voice
“I awoke to two sweaty, meaty hands shaking the holy hell out of me. I woke up completely and instantly, sitting up straight in bed, terrified, and I couldn’t understand the voices for some reason, couldn’t understand why there were any voices at all, and what the hell time was it anyway? And finally my head cleared enough to hear, “C’mon, kid. Don’t make us kick your ass. Just get up,” and then from the top bunk, I heard, “Christ, Pudge. Just get up.” So I got up, and saw for the first time three shadowy figures. Two of them grabbed me, one with a hand on each of my upper arms, and walked me out of the room. On the way out, the Colonel mumbled, “Have a good time. Go easy on him, Kevin.” They led me, almost at a jog, behind my dorm building, and then across the soccer field. The ground was grassy but gravelly, too, and I wondered why no one had shown the common courtesy to tell me to put on shoes, and why was I out there in my underwear, chicken legs exposed to the world? A thousand humiliations crossed my mind: There’s the new junior, Miles Halter, handcuffed to the soccer goal wearing only his boxers. I imagined them taking me into the woods, where we now seemed headed, and beating the shit out of me so that I looked great for my first day of school. And the whole time, I just stared at my feet, because I didn’t want to look at them and I didn’t want to fall, so I watched my steps, trying to avoid the bigger rocks. I felt the fight-or-flight reflex swell up in me over and over again, but I knew that neither fight nor flight had ever worked for me before. They took me a roundabout way to the fake beach, and then I knew what would happen—a good, old-fashioned dunking in the lake—and I calmed down. I could handle that. When we reached the beach, they told me to put my arms at my sides, and the beefiest guy grabbed two rolls of duct tape from the sand. With my arms flat against my sides like a soldier at attention, they mummified me from my shoulder to my wrists. Then they threw me down on the ground; the sand from the fake beach cushioned the landing, but I still hit my head. Two of them pulled my legs together while the other one—Kevin, I’d figured out—put his angular, strong-jawed face up so close to mine that the gel-soaked spikes of hair pointing out from his forehead poked at my face, and told me, “This is for the Colonel. You shouldn’t hang out with that asshole.” They taped my legs together, from ankles to thighs. I looked like a silver mummy. I said, “Please guys, don’t,” just before they taped my mouth shut. Then they picked me up and hurled me into the water.”
Contributed by: Kaitlyn O.
June 5, 2025
Experience: Curiosity
Narrative Technology: Suspense
Alaska finished her cigarette and flicked it into the river. “Why do you smoke so damn fast?” I asked. She looked at me and smiled widely, and such a wide smile on her narrow face might have looked goofy were it not for the unimpeachably elegant green in her eyes. She smiled with all the delight of a kid on Christmas morning and said, “Y’all smoke to enjoy it. I smoke to die.”
Contributed by: Kaitlyn O.
June 5, 2025
Experience: Wonder
Narrative Technology: Plot Twist
Cassie swings the sword at Helen's neck and all Helen feels is "a strange, vibrating tickle, like someone had pressed a gigantic kazoo against her throat and blown on it" (Starcrossed 255). The sword Cassie had swung at her laid at her feet, mangled and crunched up in a manner much like tin foil. Noticing the mangled sword and a very alive and unharmed Helen, Cassie exclaimed in glee that she had been right and was thankful that Helen hadn't died, jumping up and down whilst hugging her.
Contributed by: Kaitlyn O.
June 5, 2025
Experience: Identification
Narrative Technology: Stretch
The emotions of a fictional, fantastical character allowing a human to relate, such as Helen’s cramps when using her scion abilities in front of mortals being a metaphor for social anxiety.
Contributed by: Kaitlyn O.
June 5, 2025
“But anyway thats sience and I got to try to be smart like other pepul. Then when I am smart they will talk to me and I can sit with them and listen like Joe Carp and Frank and Gimpy do when they talk and have a discushen about importent things. While their werking they start talking about things like about god or about the truble with all the mony the presedint is spending or about the ripublicans and demicrats. And they get all excited like their gonna have a fite so Mr Donner got to come in and tell them to get back to baking or theyll all get canned union or no union. I want to talk about things like that. If your smart you can have lots of frends to talk to and you never get lonley by yourself all the time.”
Contributed by: Kaitlyn O.
June 5, 2025