Experiences entered by angusif

"""What a lark! What a plunge! For so it had always seemed to her, when, with a little squeak of the hinges, which she could hear now, she had burst open the French windows and plunged at Bourton into the open air. How fresh, how calm, stiller than this of course, the air was in the early morning; like the flap of a wave; the kiss of a wave; chill and sharp and yet (for a girl of eighteen as she then was) solemn, feeling as she did, standing there at the open window, that something awful was about to happen; looking at the flowers, at the trees with the smoke winding off them and the rooks rising, falling; standing and looking until Peter[Pg 4] Walsh said, “Musing among the vegetables?”—was that it?—“I prefer men to cauliflowers”—was that it? He must have said it at breakfast one morning when she had gone out on to the terrace—Peter Walsh. He would be back from India one of these days, June or July, she forgot which, for his letters were awfully dull; it was his sayings one remembered; his eyes, his pocket-knife, his smile, his grumpiness and, when millions of things had utterly vanished—how strange it was!—a few sayings like this about cabbages. She stiffened a little on the kerb, waiting for Durtnall’s van to pass. A charming woman, Scrope Purvis thought her (knowing her as one does know people who live next door to one in Westminster); a touch of the bird about her, of the jay, blue-green, light, vivacious, though she was over fifty, and grown very white since her illness. There she perched, never seeing him, waiting to cross, very upright."""

"All of a sudden, a memory appeared to me. This taste, it was the taste of the little piece of madeleine on a Sunday morning in Combray (because on that day I did not go out before mass), a piece that when I went to bid good morning to her in her room, my Aunt Léonie offered me after having soaked it in her tilleul tea. The sight of the little madeleine hadn't sparked my memory before I tasted it; maybe because, having often seen madeleines since, without eating them, on the shelves of pastry chefs, their image had left those days of Combray to bond with other images more recent"

From Honeycomb: "A vision of spring in dim rich faint colours, with the noisy real rushing spring still to come...a thing you could look at and forget; go back into winter, and see again and again, something to remember when the spring came, and to think of in the autumn...spring; coming; perhaps spring was coming all the year round."